“The Köçek” can be thought as a prototype of the professional male dancer having feminine manners and is popular in many Muslim countries today. “The köçek” phenomenon is one of the significant features of Ottoman Empire culture. The köçek was typically a very handsome young male rakkas, “dancer,” usually cross-dressed in feminine attire, employed as an entertainer. The köçeks were usually children of non-Muslim peoples living under Ottoman rule. Their ranks were filled from the ethnic groups - mostly Christians - subdued by the Turkish Empire. One of the Ottoman poets Mezâkî from Bosnian wrote a ghazel named Behzât as a köçek. This poem is based on observations of Mezâkî. Mezâkî’s poem can be interpreted in different ways through many aspects. In my opinion, this poem has an important place in the history of köçeks and also it is very significant as a Divan poet made out a lyricism with an aesthetic expression about the entertainment concept of society living in a city.