The main principle of making history is memory. While shaping the cultural place, the understanding that decides how the past will be known and how the future will format the memory of cities in line with its own knowledge and memory. Civilizations that came into existence by being built on top of each other on different dates but on the same earth, build palimpsest cultures with the remnants of the past. These remnants not only inform the past but also become the driving force in the design of the future. The museum, which was first built in societies in an integrated manner with the academic climate and acts as the treasurer of natural-cultural assets in the city, takes its name from the muse. Museums, which allow communication/interaction between the past and the future at the moment and place they are in, have undergone functional changes in the historical process, with the change in the meanings that societies ascribe to objects and the inclusion of other cultural objects in there. The understanding that everything that is extracted from the soil should be exhibited in museums and that everything that is considered a work of art can also be a museum gives information about the value perception of today's societies. Museums, which are both a source of knowledge and inspiration in the construction of civilizations, are located in the city as structures that have lost their memory, rather than being a source of inspiration, as they have been emptied with different definitions. These museums are waiting to be visited and photographed by travelers who cannot see what they are looking at.