After the September 11 incidents in 2001, the role of movies in both Western and Eastern cinema has become important in narrating the historical events and the problems experienced by people to the audience. Movies mediate the reconstruction of the real through the impact of 9/11 and this reconstruction is equipped with ideological representations. The directors of The Stoning of Soraya M. (2008) and The Patience Stone (2012) movies are originally Eastern (from Iran and Afghanistan) and both directors focus on the social life of Muslim women after September 11 through the concept of justice, violence, discrimination and compassion. When the movies after September 11 are examined, it is seen that directors living in different worlds and regions spread their representations of eastern and Muslim men and women into the narrative process with different aspects. This study focuses on how two eastern directors handled the representations of Muslim women and men in their movies after 9/11. The featured themes of the representations of Muslim women in Iranian director Cyrus Nowrasteh’s Stoning Soraya M. (2008) and Afghan director Atiq Rahimi’s The Patience Stone (2012) were analyzed sociologically.