It is thought that the Thrace Region was used as the first route in the history of humanity to pass from the Asian continent to Europe. Due to this important location, the Thrace Region has hosted many ethnic communities throughout history. Especially the Turkish Thrace, which is located within the territory of today's Turkey and is also called Eastern Thrace, was influenced by Roman and Ottoman culture. Ethnic communities from various parts of the Balkans migrated to different parts of this region as a result of the Lausanne population exchange that took place with the Republican period. This situation has been the main factor in the emergence of the existing cultural structure of the region and the diversity of this structure. As an important indicator of this diversity and richness, the variants of the traditional women's karşılama dance in movement structures, its prevalence in the region and the number of melodies accompanying the dance can be shown. In this study, first of all, the relationship between the karşılama dance type and Thrace was tried to be explained through the definitions made about the karşılama dance, which is found in various forms in almost every region of Anatolia. Then, the traditional women's karşılama dance performed in the Thrace Region was analyzed in terms of the performing styles, forms and motions, movement structures, rhythmic structures and melodies accompanying the dance. In this context, the findings obtained as a result of literature review, field research and personal interviews were conveyed. Although it is seen that the traditional women’s karşılama dance is mostly performed in a reciprocal position as a performing style, it has been determined that the dance is also performed on the circle in some parts of Thrace. The forms and motions accompanying these performing styles are graphically conveyed. Similarly, when the movement patterns are examined, it is possible to talk about the existence of variants in the use of upper and lower body and the use of these variants into different combinations. Considering the traditional women's karşılama dance performed in the Thrace Region, especially in terms of the melodies accompanying the dance, it exhibits a structure contrary to the general structure of almost all the rest of the Turkish folk dance repertoire. While the dances in the Turkish folk dance repertoire are mostly accompanied by a single melody, with some exceptions, it can be seen that this number may be over 25 in the traditional women's karşılama dance performed in Turkish Thrace. When considered in this context, it will be possible to say that this dance is in a unique and special position. In this study, all the performing styles, form, movement and melody variants of the women's karşılama dance performed in the Thrace Region were tried to be explained.