Sculptures and monuments have a significant presence in many urban activities, from pedestrian flow to social interactions, from vehicle traffic to place finding action. The changing graphics of the emergence and usage efficiency in the world and in the history of Turkey are constantly changing and developing along with the modern urban life. Especially in the public spaces of the city, it not only continues its existence with its symbolic meanings for the citizens, but also contributes to many dynamics of daily life as a public object. Due to their physical structures, they both balance the scale of the space and facilitate the boundaries and definition of the space. In addition to contributing to the formation of the landmarks that define the city for the citizens, it also contributes to the definition of the current nodes. The activity of using monuments and sculptures, which developed and became widespread in Turkey after the republic, in Eskişehir is noteworthy. In any case, they turn into iconic objects that integrate with the city, whether to reflect ideological, national and epic values and to contribute to the active use of art products with the city. In this sense, with this study, it is aimed to investigate the contribution of sculptures of different qualities in the city center of Eskişehir to image formation for the public spaces of the city, to determine the applications that were sufficient or insufficient in effective use and to evaluate them in general.