Countryside, meaning mostly meaning offshore, away from the centre of life has surpassed the meaning of alienation and started to portray a inner/spiritual condition. Though countryside is mostly defined to be boring, constant, ordinary, deprived, old-fashioned with its charm, peace, and sense of belonging there it also contains a significant potential and challenge. As a response to the biased meaning of itself countryside journalism has proved the precession of the countryside life. Despite being innerly under the hegemony of central journals and keeping up under modest conditions countryside journals, has become a significant source feeding its circle and capillaries bringing excitement to modern day literature. Literary journals providing inspiration and a path for younger names, forming a foundation for literary debates, advertising new literary movements and genres, newly published works and names receiving feedback and criticism and further opportunities is executed just as good as central journals in countryside journals. Major cause of this happening is that countryside journalisms influence expanding with the growth of technological innovations and communication opportunities. Published between 2003-2008 as 18 issues in Sivas, Sühan Magazine along others also formed an atmosphere aimed to reach a bigger audience by breaking the chains of the misinterpretations over the countryside journalism, providing newly written essays and poetical works, preparing document subjects that weren’t touched upon in the past and most importantly assembling the influential names of its age. In this work it is aimed to view and evaluate the encased Sühan Magazine as an example of countryside journalism and its significance. In this research document scanning and descriptive analysis are used and data received from Sühan Magazine are inspected with content analysis technique.