This study focuses on how the discourses about women are conveyed in the Turkish translations of Molière's plays with the theme of women. Within the framework of this focus, it is aimed to reveal Molière's view of women's issues, his contribution to the feminist movement and the role of translators. The translated works examined with a descriptive approach in this study are limited to Turkish translations titled Kadınlar Mektebi (Molière, 1933a), Kadınlar Mektebinin Tenkidi (Molière, 1944a; 1965), Bilgiç Kadınlar (Molière, 1944b), Okumuş Kadınlar (Molière,1933b), Dudukuşları (Moliere, 1933c) and Gülünç Kibarlar (Molière, 1943). The subtexts in the Turkish translations are analyzed within the framework of the feminist translation strategies of Massardier-Kenney. The findings of the study showed that the subtexts in Molière's Turkish translations mostly contain information and explanations on Molière’s plays, the importance Molière attaches to women's issues, women's education, and women's social position. This indicated the adoption of "commentary", one of the author-centered strategies. As a result of the analysis of the translations, it was seen that some translators tried to soften some of the discourses about women. It has been observed that some translators make women and the discourse about women more visible. As a result, it is possible to say that the subtexts provided information about the author and translator's view of women, and the attitude taken in translations gave information about the translator's view of women.