The adaptation processes of societies to environmental and sociological conditions have led to massive depressions. Endless factual factors such as industrialization, resource constraints, economy, health, war and power oblige societies to be at the center of conflicts. The artist, who processes and transforms the data of the age, continues to reveal the opposite situations in his works by defining them together. Moreover, beyond the clear data deemed safe, the artist-philosopher, who chose to go to dead ends, albeit by wandering in the fog, has reflected on today with his works. Thus, the concept, which reaches a value beyond representation, is also liberated from the substance of the work. While the situations that basically transcend human beings such as fuzzy, contradictory, dead- end, and deadlock exist in art discussions, in fact, what art experiences is the experience of societies. The technocratic authority, which denies the nature-human unity in this unity, prepares the ground for conflicts and problems. Moreover, this authority throws the extinction of species in nature and the irreversible deadlocks that alienate people from their nature. The 21st century ultimately requires taking a look at the posthuman artifact that provides space for humans in the digital and biotechnological chaos. This research focuses on the 'aporia' moments of the works. Philosophy, science, art and posthumanist discourses and works were examined.