The aim of this study is to examine the non-verbal dance tunes of the Malatya region in terms of their structural features (modal sequence/procedural knowledge-style). The case study design, one of the qualitative research designs, was used in the research. For this purpose, 22 folk songs in the TRT repertoire and in the Malatya Folk Songs book were examined and analyzed in depth in terms of their structural features. Based on the idea that the non-verbal dance tunes, which are one of the most important carriers of vocal culture, will be recorded and contribute to the musical culture, the compilations in the Malatya Folk Songs book of the region were included in the research. As a result of the research; It has been determined that the folk songs examined consist of Uşşak, Hüseyni, Buselik, Karcığar, Çargâh, Segâh and Mahur maqam sequences and that among these series, Uşşak, Hüseyni and Çargâh maqam sequences are mainly processed. When examined in terms of method, it was determined that simple and combined methods were used. In the works examined, the composition characteristics along with the usuls were mentioned, and it was determined that the more commonly used usuls were works in the simplest style. In the study, the data obtained in terms of maqam scale and tempo of the works were interpreted by presenting them in the form of tables and graphs in percentage-frequency. In addition, in line with the results obtained from the research, it has been suggested that the dance styles of the region, other than the non-verbal dance styles of Malatya region, can be compiled and examined in depth in terms of their musical characteristics to contribute to the field.