In Turkish society, alongside traditional theatre, Western-style examples were seen during the Tanzimat period. During the Constitutional Monarchy, theatre served more as a means to an end, and with the Republic, it almost functioned as a duty to disseminate the principles of the new regime among the people. Faruk Nafiz Çamlıbel, who mainly gained prominence through his poetry, especially with his work "Han Duvarları," is also one of the artists of modern Turkish literature who wrote plays. Çamlıbel mostly wrote plays in verse form with three acts. In this study, his theatre works were examined, which depict the transformation of humans into monsters by society in the play "Canavar," the order given by İstemi Han for the raiders to head towards the sea due to the drought in the Ancestral Homeland in the play "Akın," the construction of the town and the prosperity of its people by Demir Han and forty thousand raiders who returned from the Ancestral Homeland to the Native Homeland in the play "Öz Yurt," the beginning of the National Struggle and the stages of awakening the people in the play "Kahraman," the bravery of the Anatolian people, both men and women, on the front lines and in the hinterland during the National Struggle in the play "Ateş," the tragicomic state of a traveling company and revue artist in the play "Yayla Kartalı," and Faruk Nafiz Çamlıbel's theatre was examined by referring to the School Plays, which can be considered more backward artistically. In doing so, excerpts from the works were included to highlight the points the artist intended to emphasize, and attempts were made to present the similarities between the theatre plays.