Miraç refers to an event that is considered valuable by Muslims, known as the ascension of the Prophet Muhammad from Masjid al-Aqsa to the sky. Mi’râciyye, on the other hand, are poems written on this journey of the Prophet Muhammad to Allah. The fact that it was written only on the axis of this subject revealed the mi’râciyye type. The mirac event, the first example of which is seen in Ka'b bin Züheyr's Kâside-i bürde, is a subject of poetry, and it is reflected in many genres over time. It is written as a separate work, as well as as a section in genres such as Mevlid and Siyer. Hz. Mî’râciye, which is among the literary genres about Muhammad, is first seen in the Turks in the Epic of Satuk Buğra Han. Later, it is known that he was the subject of his works by many poets in both Khorasan and Anatolian geography. Poets such as Hâkim Ata, Ahmedi, Âşık Paşa and Nabi write such works. An independent example of this genre, which has survived to the present day, is recorded on paper by Necip Fazıl. Necip Fazıl, who is an important representative of post-Republican Turkish Literature in the context of Islamic Discourse, presents the Mirac event to the reader with his poem Miraç, both as reflected in the Qur'an and with the information conveyed in the hadiths, a modern poem connected to traditional images in the mi’râciyye type. The poem, which consists of thirty-two couplets, is seen to be written with a metaphysical depth. In the poem, the Mirac event is handled with all its aspects and important details and interpreted within the framework of an ontological perspective. Allah and Hz. The belief of tawhid is emphasized by drawing attention to the communication between Muhammad.