Abdülhak Hâmid Tarhan is one of the most important writers of the second period of Tanzimat literature and has been described as a feminist writer because of his ideas about the heroines he portrayed and women in the theatre, which he said he wrote not to be performed but to be read. The fact that Hamid served in various embassies enabled him to meet women of different nationalities, and the author shaped his heroines by drawing inspiration from real women in some works. Although it can be seen that in his play Finten, which is said to have been inspired by a woman he knew in England, he preferred to use the good and bad women types of the Tanzimat period, the bad woman type has characteristics that go beyond the usual patterns of the period. In particular, her expression of philosophical questions bears traces of Hamid's approach to metaphysical questions. Because Bılanş, a good type who can be seen as the opposite of Finten, is portrayed with superficial features, she appears as one of the female types of the Tanzimat period. Finten, on the other hand, has a depth of character with his thoughts, problems, insights, and struggles. It can be seen that Finten frequently discusses issues such as existence-non-existence, and death-afterlife as themes in the play, and that this philosophical confusion is at the root of his psychological discomfort. It can be said that Hâmid's "grave" idea and its contrasts gave birth to Finten and her vicious, angry nature. The poet shapes the immoral, evil Tanzimat type of woman not only as a woman with sexual passions but also as a female character with philosophical restlessness. Moreover, this study argues that Hâmid's inner philosophical restlessness is to some extent reflected in Finten.