The most obvious proof that authorship activities are, in a sense, intertwined with creative functions, are the internal creative skills that are embodied in the characters that manifest themselves clearly in certain writers. In this sense, it can be said that writers are special personalities of a celestial datum, who act as a prophet, performing duties in the terrestrial environment. It is known that the tangible sections of the mentioned creation processes, the sensory and superconscious states of the heroes created by some writers in their works, overlap with the traces they carry in the context of their own lives. These projections are frequently encountered in the internal equipment of the characters. When viewed with the Freudian approach, it can be clearly seen that the inner predictions and vital sensitivities of the writers in question are followed by highly sharp reception processes. Characteristic situations integrated in characters and figures as sub-decoration, sometimes delusions (delusions, paranoia), mood swings, forbidden love, phantasy (fantasy), frustration, dream, disappointment after imagination and loss, syria (emotional pathology); and sometimes it manifests as guilt, depth psychology, questioning of conscience, neurotic oscillations, hysteria, emotional confusion, death drive, emotional stalemate and disorder, psychoses, treatment problems, nightmare delusions, and unconscious impulses. The author, with his unique reception and observation skills, effectively operates the foresight-forsight mechanisms and manages to dress these parameters in his heroes with the mastery of soothsayer intuition and insight. While this study reveals the author’s work in the creative processes of Wilhelm Jensen’s story Gradiva; It aims to examine the psychoanalytic data with which its heroes are equipped, through the work and its content, using the document analysis method.