The muezzin loges has not been considered as a seperate elements in art history disciplines as a special topic within Turkish Islamic Art History. They have been evaluated mostly within the architectural context. Three types of loges as Hünkâr, Muezzin and Kadinlar, generally handled as a part of the mainframe and not chosen as an independent working field. Those loges were built mostly at the same time with the main building or later and there are no detailed researches about those loges for the building materials, past time repairs or alterations. Very few researches have been restricted with the ones have been in the limelight or with the capital buildings. Examples from the Anatolia have been ignored. The identification of the genre and composition characteristics of these architectural units should have a priorty. These findings for the examples from the Anatolia would be a pathfinder of the effect of developing a program of capital decoration style or the effect of developing a regional style connecting to the present geographical location. In this study, the stenciled wooden muezzin loges of Ahmet Nuri Pasha mosque, Alaybey mosque, Karatarla mosque, Handan Bey mosque, Nuri Mehmet Pasha mosque, Eyupoglu mosque and Haci Nasir mosque at the Gaziantep have been examined. The examination of the examples of which put forth with the traditional regional effects, in the context of the ornamentation program has been intended.