Wood, which has been used in many fields since the initial times of the humankind, is an important material for architectural structures due to its natural essence and its usage features. One can come across wooden materials in most of the mosques in Anatolia since it particularly provides compliance in design, since crafting it is easy and since the details are easily analyzed. The basis for this is that wood is not only a durable but also a light material. Due to its being light and durability to traction and flection, long-span construction is possible. Therefore, it can easily be used in constructing wall openings, beams, and floor coverings and in forming corbels and eaves. Usage of wood in buildings in the Akkuş sub-province where forests are abundant is widespread. It is a known fact that the tribes of Tibareni and Kalip dwelt in the sub-province of Akkuş located in highlands of Central Black Sea and later the Kingdom of Pontus ruled these lands. After that, Akkuş, which was dominated by Danishmends when Turks immigrated to Anatolia, was ruled by Haji Emiroğlu Beylik in XIV. century. It was a sub-district under Samsun Sanjak in XIX. century. The name of the sub-district, which was initially called as Karakuş, was changed to Akkuş in the following periods. It has a rich cultural heritage since numerous civilizations reigned in these lands. This study evaluates mosques from a timberframing perspective which are located in villages of Akkuş sub-province of Ordu that is rich in terms of vegetation such as Akpınar Town Central Mosque, Ambargürgen Central Mosque, Karaçal Village Mosque and Çökek Village Mosque which were built with timber-framing technique, and analyses them in terms of art history by comparing them with the similar examples from Eastern and Central Black Sea Region.