Migration has played a dominant role in the formation of societies and cultural exchanges throughout history. Art is a phenomenon that reflects and reflects all kinds of data about life. Although art may reflect a subjective attitude, the influence of social formations in the formation of that subjective attitude is an irrefutable truth. Therefore, the production of the artist living in society and directly influenced by society will also be reflected in the affected society. The impact of the phenomenon of migration on art production, which has an important role in shaping the structure of society and culture, is evident in the work of artists who migrate to developed countries, especially from underdeveloped countries. In the work of immigration artists, it is seen that in the new geographies they deal with the problems of identity loss, identity conflicts, struggle for space and adaptation problems. The purpose of this paper is to examine the problem of immigration in the works of artists by focusing on the studies on artists who have migrated from different cultures and the plastic arts that deal with them. In this context, Turkish-born German artist Nasan Tur, African-American artists Gleen Ligon and Kara Walker, Azerbaijani artist Faig Ahmed, Turkish artists Halil Altındere and Sener Ozmen who deal with the East-West conflict examine the place of immigration.