TY  - JOUR
TI  - EXAMINATIONS ON LUDWIG VAN BEETHOVEN’S TRIO, OP. 11 AND SUGGESTIONS FOR CLARINET PLAYERS
AB  - This study examines the Trio, Op. 11 for clarinet, cello and piano in BbMajor by German composer Ludwig van Beethoven. It mainly focuses on the roleof the clarinet within the ensemble and offers suggestions for improving performance technique and interpretation of the clarinet player, as well as togethernessof the ensemble. The aim is to help musicians and music students perform thework in a correct manner, in the light of these examinations.Beethoven composed the Trio, Op.11 upon the request of clarinet virtuoso Joseph Beer and completed it in the fist half of 1789. Today, musicians andmusic students frequently perform and study this work, which is the most important works of clarinet chamber music education repertoire.First, this study introduces general information on Beethoven’s life andmusical identity, and shortly touches upon his works with clarinet, along withsimilar works of other composers in the 19th century. Then, in the light of examinations on the Trio, Op. 11, it determines the sections that may create technicaldiffiulties in clarinet performance, as well as diffiulties for ensemble playing,and makes suggestions to overcome these diffiulties. This study would help current and future generation musicians, educators, pianists, clarinet and cello playersto learn about Beethoven and to improve the quality of their interpretation byproviding a more comprehensible view on the subject.
AU  - Ak, İlkay
PY  - 2019
JO  - Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
VL  - 0
IS  - 46
SN  - 1302-6879
SP  - 47
EP  - 72
DB  - TRDizin
UR  - http://search/yayin/detay/374363
ER  -