Buddhism has been a definitely Indian doctrine when in the first period it emerged in the Indo-subcontinent during the 6th century BC. Despite the dominant structure of Hinduism, after Buddhism has been accepted in India and started to be a way of life in a philosophical and religious sense, firstly spread in Asia and then in Western geographies. It also deeply affected these cultures and influenced by these cultures. Known as Gautama Buddha's birth stories, the Jātakas, which contain basic teachings for the moral and ethical development of human and society in search of self and to assimilate the theory of life based on the cyclicality of time, are among the most important narratives serving the functioning of Buddhism's effectiveness on these different religions and cultures. Intizar Hussain, who was born in India and migrated to Pakistan after the division of this country in 1947 and the establishment of Pakistan, like many of the Indian-Muslims from India, even reflected sufferings of this painful division in his early works, interested in epics in his following years. The author, after this period, developed an epic understanding of the story with its own surrealist and symbolical themes, by examining local narratives of Indian culture. Intizar Hussain influenced one of the most important fairy-tale narratives is Buddhist Jātaka narratives in Indian culture. The author took the events and characters in the Jātaka narratives to his own stories through a number of thematic and technical changes, thus contributing to the development of a very special and new style in both Urdu literature and Indian literature. In this study, the reflections of the Jātaka narratives on the short story of Intizar Hussain called the Turtle were examined by comparative with texts,and tried to information about the importance of Indian culture and civilization in the development of the Urdu story.