MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR
Yıl: 2021 Cilt: 0 Sayı: 42 Sayfa Aralığı: 155 - 167 Metin Dili: İngilizce DOI: 10.30794/pausbed.697184 İndeks Tarihi: 14-10-2021
MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR
Öz: As a much-discussed part of the human mind, memory today is an interdisciplinary subject studied by a variety of academicfields such as psychology, sociology, psychiatry, cultural studies, and literature. In British drama, it finds a reflection withthe term “memory plays” whose representative playwright in the twentieth century is Harold Pinter. On the other hand, itcan be observed that Anthony Neilson, emerging as a voice of the British In-Yer-Face drama of the 1990s, makes anemphatic use of memory in his plays like his predecessor. In this sense, this paper argues that Anthony Neilson’s playwritingshows resemblances to Harold Pinter’s, which is acknowledged as the Pinteresque, that, more specifically, Pinter’s OldTimes (1971) and Neilson’s Penetrator (1993) share much in their use of memory, and analyses the particularities eachplaywright employs in their utilisation of this concept within their plays.
Anahtar Kelime: BELLEK OYUNLARI: HAROLD PINTER’IN ESKİ ZAMANLAR VE ANTHONY NEILSON’IN DELİCİ ADLI OYUNLARI
Öz: İnsan aklının çokça tartışılan bir bölümü olan bellek günümüzde psikoloji, sosyoloji, psikiyatri, kültürel çalışmalar ve edebiyat gibi çeşitli akademik alanlarda çalışılmakta olan disiplinler arası bir konudur. İngiliz tiyatrosunda, yirminci yüzyılda, Harold Pinter’ın temsilcisi olduğu “bellek oyunları” kavramıyla bir yansıma bulur. Öte yandan İngiltere’de 1990’lı yılların Yüzevurumcu Tiyatro’sunun yükselen sesi Anthony Neilson’ın da belleği selefi Pinter gibi oyunlarının önemli bir unsuru haline getirdiğini gözlemliyoruz. Buradan hareketle bu çalışmamızda, Anthony Neilson’ın oyun yazımının Pintervari diye adlandırılan Harold Pinter’ın oyun yazım üslubuna benzerlikler taşıdığını, daha özelde Pinter’ın Eski Zamanlar (1971) adlı oyunu ile Neilson’ın Delici (1993) adlı oyununun bellek kullanımları bakımından çokça ortak özelliğe sahip olduklarını tartışıyor ve yazarların bu oyunlarında bellek kavramı kullanımlarında ortaya koydukları özellikleri inceliyoruz.
Anahtar Kelime: Belge Türü: Makale Makale Türü: Araştırma Makalesi Erişim Türü: Erişime Açık
- Austen, J. (2000). Mansfield Park, Wordsworth Editions Limited, Kent.
- Braunmuller, A. R. (1979). “A World of Words in Pinter’s Old Times”, Modern Language Quarterly, Vol. 40, No. 1, pp: 53-74.
- Bull, J. (2011), “Anthony Neilson”, The Methuen Guide to Contemporary British Playwrights, (Eds: Martin Middeke, Peter Paul Schnierer, et al), Methuen Drama, London.
- Burgin, V. (1996). In/Different Spaces: Place and Memory in Visual Culture, University of California Press, Berkeley, CA.
- Caruth, C. (1995), “Trauma and Experience: Introduction”, Trauma: Explorations in Memory, (Ed: Cathy Caruth), John Hopkins University Press, Baltimore.
- Deutsch, D. (1977), “Memory and Attention in Music”, Music and the Brain: Studies in the Neurology of Music, (Eds: Critchley Macdonald and R. A. Henson), William Heinemann Medical Books Limited, London.
- Favorini, A. (2010), “Memory in Theater: The Scene is Memory”, Memory Process: Neuroscientific and Humanistic Perspectives, (Eds: Suzanne Nalbantian, Paul M. Matthews, James L. McClelland), MIT Press, Cambridge, MA.
- Freeman, M. (1993). Rewriting the Self: History, Memory, Narrative, Routledge, New York.
- Freud, S. (1957), “Childhood Memories and Screen Memories”, Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol 6, (Ed and trans.: James Strachey), Hogarth Press, London.
- Frow, J. (2007), “From ‘Toute la mémoire du monde: Repetition and Forgetting”, Theories of Memory: A Reader, (Ed: Michael Rossington and Anne Whitehead), Johns Hopkins University Press, Baltimore.
- Kolk, B. A. and Onno Van Der Hart (1995), “The Intrusive Past: The Flexibility of Memory and the Engraving of Trauma”, Trauma: Explorations in Memory, (Ed: Cathy Caruth), John Hopkins University Press, Baltimore.
- Kuhn, A. (1999). Family Secrets: Acts of Memory and Imagination, Verso, London.
- McClelland, J. L. (2010), “Memory as a Constructive Process: The Parallel Distributed Processing Approach”, Memory Process: Neuroscientific and Humanistic Perspectives, (Eds: Suzanne Nalbantian, Paul M. Matthews, James L. McClelland), MIT Press, Cambridge, MA.
- Neilson, A. (1998). Plays 1: Normal, Penetrator, Year of the Family, The Night Before Christmas, The Censor, Methuen Drama, London.
- Pinter, H. (1971). Old Times, Methuen Drama, London.
- Radström, A. (2018), “The Fakhouri File: Traumatic Memory in the Work of Walid Raad”, Constructing the Memory of War in Visual Culture since 1914: The Eye on War, (Ed: Ann Murray), Routledge, New York.
- Reid, T. (2017). The Theatre of Anthony Neilson, Bloomsbury Methuen Drama, London.
- Shaw, M. (2009), “Unpacking the Pinteresque in The Dumb Waiter and Beyond”, Harold Pinter’s The Dumb Waiter, (Ed: Mary F. Brewer), Rodopi, New York.
- The President’s Council on Bioethics. (2003). Beyond Therapy: Biotechnology and the Pursuit of Happiness. (27.1.2020) https://biotech.law.lsu.edu/research/pbc/reports/beyondtherapy/beyond_therapy_final_report_pcb.pdf
- Winter, A. (2012). Memory: Fragments of a Modern History, The University of Chicago Press, Chicago.
- Beyan ve Açıklamalar (Disclosure Statements)
- 1. Bu çalışmanın yazarları, araştırma ve yayın etiği ilkelerine uyduklarını kabul etmektedirler (The authors of this article confirm that their work complies with the principles of research and publication ethics).
- 2. Yazarlar tarafından herhangi bir çıkar çatışması beyan edilmemiştir (No potential conflict of interest was reported by the authors).
- 3. Bu çalışma, intihal tarama programı kullanılarak intihal taramasından geçirilmiştir (This article was screened for potential plagiarism using a plagiarism screening program).
| APA | Bal M (2021). MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. , 155 - 167. 10.30794/pausbed.697184 |
| Chicago | Bal Mustafa MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. (2021): 155 - 167. 10.30794/pausbed.697184 |
| MLA | Bal Mustafa MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. , 2021, ss.155 - 167. 10.30794/pausbed.697184 |
| AMA | Bal M MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. . 2021; 155 - 167. 10.30794/pausbed.697184 |
| Vancouver | Bal M MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. . 2021; 155 - 167. 10.30794/pausbed.697184 |
| IEEE | Bal M "MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR." , ss.155 - 167, 2021. 10.30794/pausbed.697184 |
| ISNAD | Bal, Mustafa. "MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR". (2021), 155-167. https://doi.org/10.30794/pausbed.697184 |
| APA | Bal M (2021). MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 0(42), 155 - 167. 10.30794/pausbed.697184 |
| Chicago | Bal Mustafa MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 0, no.42 (2021): 155 - 167. 10.30794/pausbed.697184 |
| MLA | Bal Mustafa MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, vol.0, no.42, 2021, ss.155 - 167. 10.30794/pausbed.697184 |
| AMA | Bal M MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2021; 0(42): 155 - 167. 10.30794/pausbed.697184 |
| Vancouver | Bal M MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2021; 0(42): 155 - 167. 10.30794/pausbed.697184 |
| IEEE | Bal M "MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR." Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 0, ss.155 - 167, 2021. 10.30794/pausbed.697184 |
| ISNAD | Bal, Mustafa. "MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR". Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 42 (2021), 155-167. https://doi.org/10.30794/pausbed.697184 |
