In addition to being an innate behavior, violence also includes learned behaviors. It is a socialproblem that a person grows up to and learns from his family, friends and mass media that he isconstantly communicating with, sometimes he applies, and that is likely to spread over time. Notjust physical, psychological, individual, cultural, is a phenomenon that needs to be addressedwith social and gender dimensions. When the folk songs that ensure the continuity of the cultureare examined, the presence of words containing different dimensions of violence drawsattention. This study is structured on the basis of the idea that folk songs, which give importantclues about the expression of the feelings of the society and are transmitted throughgenerations, are passed on to future generations without being aware of violence as well astraditional elements, and that it is a means for the elements related to violence to becomefamiliar over time. All the data of this study consists of 6517 folk songs in the TRT folk musicrepertoire obtained from the TRT music archive. Located in TRT repertoire of folk music, folksongs scope of the research were analyzed using total 6517 document analysis documentaryscreening model method was determined by the intensity of the word violence. This study waslimited to the Central Anatolian Region, where the most violent words were identified, with 203folk songs among a total of 1440 folk songs belonging to the regions within the Central AnatoliaRegion - recorded in the TRT folk music repertoire. In the region, it was determined that the folksongs that contain the most violent element in their lyrics are Sivas with 21 percent Kayseri with12 percent, Aksaray with at least 1 percent folk songs, and Karaman with 1 percent folk songs.When the ratio of the number of folk songs was examined, it was determined that the folk songswith an element of violence were recorded in Niğde with 25.8 percent, Çankırı with 25.4 percent,Yozgat at the lowest rate with 12.8 percent and Sivas with 8 percent. As a result of the analysis offolk songs in terms of the type of violence and the dimension of violence, it was determined thatthere was the highest psychological dimension with 32 percent and the least sexual dimensionwith the rate of 7 percent. Detailed data on folk songs containing violence are presentedgraphically in the study.