Many developments such as socio-cultural, religious, political, scientific, digital, etc. seen throughout history have affected the artwork as well as the areas where it is exhibited. The aim of this study; as a result of digitalization which is one of these developments is to reveal the transformation that takes place in art and art spaces. In this context, at the beginning of the study; it has been hypothesized that the digital transformation in art will negatively affect the experience of art and art spaces. The scope of the study was determined as the period from the 1960s to the present. The changes in the expression tools of the artists, and computer technologies that became more popular in the 1980s; have brought new perspectives to the relationship between the artist, the audience, the work, and the place of the work. In the study, the position of the space in this transformation was examined with the Case Study method and exemplified through Contemporary Art. The data obtained leads to the decay of the assumption initially laid out. Digital developments have not had negative consequences in the experience or exhibition of art, but rather have brought new openings to this field. Reproduction spatials through digital infrastructures will continue to exist with their ‘‘new reality’’.