Michel Foucault perceives the government in power as a structure that is interpenetrated with different forms of nets. The government sets this structure over relations such as human relations, economic relations, intrafamilial relations, educational relations and political corporation relations. This net of relationships moves around individuals. Therefore, the government in power proceeds based on the individual. A very similar situation is valid for the new Turkish State which is established with the declaration of Republic. After the announcement of the Turkish Republic; the political power in charge at that time, with the hope to raise a new type of person, used the power of art to widen its discourse and reinforce its authority. In this respect, they mostly used dramatic art types such as the theatre, the cinema and the opera. Among these art types, theatre and cinema are relatively more approachable by the general public. Through the many news, stories and serial novels that are published in newspapers, the political power is able to convey its discourse to the general public, as they insert their own political discourse in these essays, stories and novels. One other area of activity that the political power consists of are the literary works at that period. Writers with different world-views and different conceptions of literature mention about the thoughts and the activities of the political power in their works of art. Although all of them did it in different ways, essentially all of them wrote novels that served as the spokesman of the political party. Therefore in this article, we will investigate the way the writers handled the types of dramatic arts in Early Republican Period between the 1923’s-1940’s and the role of the political party using the dramatic arts to propagate their own discourse.