As in many societies, rope making and weaving have been an important handicraft and also a source of livelihood in Turkish society. Like every element of culture, these are also reflected in folk narratives and especially in fairy tales. This reflection has been realized sometimes in the real sense and sometimes in the form of metaphors that show the subconscious along with feelings, thoughts and dreams. It is seen that a philosophy based on analogy and inspiration has been formed about the production and use of certain objects in the life of the individual and society, and they are used as a tool for the expression and expression of the existing philosophy in a concrete language. One of the examples of this is “rope”, “ball” and “weaving”. As in many genres of folk literature (mani, folk song, idiom, proverb, etc.), these elements are frequently used in fairy tales. The aim of this study is to examine the way in which the elements related to "rope", "ball" and "weaving" are handled in fairy tales and their metaphorical meanings. In accordance with this purpose; the fairy tale texts in the books Elazığ Masalları, Uçar Leyli, Taşeli Masalları, Gümüşhane ve Bayburt Masalları were examined. Rope making and weaving is mostly done by women. Therefore, the beliefs, philosophies and practices created around them mostly reflect the point of view of women. In fact, the phrase “the philosophy of the spinning wheel” is also related to this situation. Tales are also mostly told by women. It is natural that these works are reflected in the narrative, especially when it is assumed that some tales are told while spinning rope, doing handicrafts, and weaving carpets/rugs. Elements related to “rope”, “ball” and “weaving”; in some tales, it is used only in its real meaning as a result of the reflection of culture and life in the tale, while in some tales it has gained some metaphorical meanings about the journey of life and the formation of human personality. In this article, "rope", "ball" and "weaving" motifs; it has been tried to be evaluated based on the psychoanalytic findings and comments of Sigmund Freud, Marie- Louise Von Franz, Bruno Bettelheim and Clarissa Estes. In the tales we examined in this direction, the rope is the "lower self"; ball, "I"; weaving, on the other hand, appears as the harbinger, symbols and signs of situations and events in which integrated personality traits are exhibited, as well as the "super-ego". In the tales we examined, it is seen that many elements related to rope, ball and weaving are used as metaphors for the stages of mental and spiritual development, personality layers, maturation and socialization.