During the reign of Mehmed IV. (1648-1687), the second vizier and companion Musahip Mustafa Pasha (d. 1685-1686?), the wife of Hadice Sultan, the Sultan’s sister, was also under the siege of Kamanice Castle, served as the captain of the sea, serasker of the Morea settings in the task. Pasha, who seems not to be at the forefront of state affairs, is known as the patron of craftsmen and art; although there is only one poem that has survived to the present day, he attracted attention as a calligrapher, scholar, and a person of art. At the same time, it is obvious that he was a statesman who gained the trust of the sultan due to his companionship. In the history of literature, he is often referred to as the patron of the poet in the sources about Nabi. However, it cannot be brought to the subject of relations with the people of art and Nabi in the sources related to the people of this date. The aim of the article is to determine this connection in the light of sources and Nabi’s poems and to reveal the praises of the poet to his patron. In the article, Musahip Mustafa Pasha’s life and his relationship with artists are given, based on biographical and historical sources. In addition, it was determined how the Pasha was mentioned in the sources mentioning the poet and in Nabi’s Münşe’at, and traces of the bond between the two were sought. Afterwards, the poet’s praises for Pasha were emphasized, based on a masnavi written by Nabi for Pasha, four odes, five history continents and a müzeyyel ghazal. It was seen that these praises were generally limited to the generosity, donations and nature of the Pasha, and that these aspects of the Pasha, who was in the background in the military field or in state affairs, were very little reflected in the praises.