It is a fact that one of the most frequently referred methods to raise colloquial language and ordinary language to the literal and fictional language level and to expand literary text/poetry opportunitiesis "language deviations" Especially, since 1950s, it was started tobenefit from "language deviations" in our poetries that we may defineordinary language rules as writing, phonetic, word, expression,grammar, change in semantic levels. The Second New Poetry that hasbeen effective in our literature for some researchers between 1954 and1959 and for some researchers between 1953 and 1963 put the literaryarts, imaginative pronunciation, abstract language, closed-formexpression and language experience deliberatively ignored by the GaripPoetry Movement at forefront and pushed the limits of language. Heattempted to expand opportunities of Turkish, so largely benefited fromlinguistic deviations. Cemal Süreya who had been one of the importantrepresentatives of the Second Poetry applied these methods in hispoems. In this article, after the theoretical knowledge about the SecondNew Poetry and linguistic deviations, all the poems of Cemal Süreyawere reviewed and linguistic deviations we determined in poetries weresampled, and it was attempted to discuss why the poet needed thismethod, what kind of effects of linguistic deviations have been in hispoetry. Deviations used from the poetry of Cemal Süreya; wereattempted to be examined under seven titles; writing deviations,phonetic deviations, word deviations, grammar deviations,interventions to borrowed texts, meaning deviations or extraordinarysyncretism.