This article focuses on the traditional blacksmithing profession as a handicraft. In the article was examined the history, present and future of the traditional blacksmith's profession, the intangible cultural heritage and cultural expression in the context of the experience movement a master from Giresun. The place and importance of handicrafts in our culture, the concept of handicrafts from the past to the present, the meaning of blacksmithing in the Turkish world and mythology, the place in our tradition, the beliefs and practices built on blacksmithing, the irony in the context of intangible cultural heritage and so on. many subjects have been questioned. After the industrial revolution, traditional craftsmanship based on handcrafts with the invention of machines producing mass production started to withdraw gradually from daily life. An annual production of a master in any profession is carried out in just a few days with only one machine. Therefore, it can be said that wrist power is replaced by machine power, production by demand and production by supply. This situation has reduced costs in the first place, but the quality problem based on craftsmanship, in other words u traditional knowledge or manual dexterity but has been pushed into the background. Traditional looms are also slowly closing. In this study the said historical process has been discussed from the story of the profession of a blacksmith. In this sense, the question of how smoothing and the process of transferring traditional knowledge related to this profession in today's contexts constitutes the questioning areas of the article.