In the second half of the 19th century, the first examples of the art of cinema, which emerged with the invention of the cinematograph device of French Lumiere Brothers, and came to our country in the beginning of the following century were created primarily on document films also in our country as all over the world. From the very beginning of the world wars to the present days, besides the documentary characteristics at the beginning, cinema has become the most interested and most widely known branch of art in the visual arts, by putting a great accumulation on the subject and technical infrastructure it has developed over time. The event, place, time and people, which are considered as the four elements of the narrative, are also the most important elements of the narrative of the cinema works that started as a text (script). In this direction, it is possible to evaluate cinema works with a literary narrative perspective. In fact, cinema can go a step further than the literary work in this sense, and it can have a more detailed place in the mind of the viewer especially in terms of space. In this respect, the place also fulfills a very important task in terms of reading or making sense of the cinema works. Because, as well as being the place where the subject of the cinema work passes, the place is the place where the visual representations, which ensure that the message it wants to give is fully reflected to the audience, are staged. Therefore, in the case of evaluating a cinema work, the context of space should never be ignored. In this research, in which the representations about Haydarpaşa Station, which is a very important cinematic indicator in Turkish cinema, was tried to be evaluated, the relationship between cinema and space was first mentioned. And then, it is emphasized that which psycho-social, sociocultural, socio-economic and traditional codes of Haydarpaşa Station were presented. In this sense, in the Turkish cinema tradition called Yeşilçam cinema during the seventy-year period between 1950-2020, the station representations in the selections made from about 80 works that chose the Haydarpaşa Station as a venue were handled and evaluated by visual content analysis.