In this study, the intertwined cultural heritage revealed in relation to Buddhism, Jātaka narratives, Ajanta Caves and wall paintings; specific to the India- Telangana State Archaeological Museum, the reflections on the wall paintings of the Ajanta collection is handled. In this context, in the introduction section; the place of Ajanta Caves in the literature has been mentioned, and then the nature of Jātakas as a literary genre has been explained respectively; the place of Ajanta wall paintings in the history of culture has been emphasized. The scenes in the Ajanta collection of the museum, inspired by the experience known as Jātakas in Buddhist literature, are the focus of our work. After the relevant narratives were transferred to our language, they were evaluated and the photos belonging to the collection were added to the study. As a result, our evaluations about the place of the Buddhist tradition, which developed in relation to Indian culture, within the framework of Jātaka narratives and Ajanta Caves, have been tried to be transferred within the limits of Indology.